Trained in Meisner, Adler, and Stanislavski methods - I tend to favor Meisner the most. Trained at Company theatre, Boston rep, Adler Art of Acting.

Versatility is the actors greatest asset. Roles from romantic leads to serial killers have kept me away from the typecast bubble.

Act in something I’ve written. Act abroad, on stage, on screen, in places where I feel discomfort - that creates the best experience for growth.

The character is all there is. When Acting nothing matters more than what the character believes in that moment.